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繪畫的數學
義大利文藝復興時期射影幾何的誕生

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作  者 堅逖立(Graziano Gentili)、希摩努蒂(Luisa Simonutti)、史楚帕(Daniele Struppa)

作者簡介 
譯  者    高玉齡

譯者簡介    高玉齡是業餘科普翻譯作者。

本文出處
 本文譯自Graziano Gentili, Luisa Simonutti and Daniele C. Struppa, “The Mathematics of Painting: The Birth of Projective Geometry in the Italian Renaissance”, Notices of the International Consortium of Chinese
Mathematicians Vol. 10 (2022) 2, 11 ~ 29。同本的義大利語翻譯將在義大利翡冷翠刊登於“Quaderni della Accademia Toscana di Scienze e Lettere La Colombaria - Classe di Scienze fisiche, matematiche e naturali "
(https://www.polistampa.com/scheda_collana.php?id=418)。本刊感謝作者們同意授權轉載翻譯,翻譯之文則由本刊自負。

延伸閱讀 
參考資料

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[2]     Leon Battista Alberti, The Architecture ... in ten books. Of Painting in three books. And Of Statuary in one book. Translated into Italian by Cosimo Bartoli, and into English by James Leoni, Architect. Illustrated with seventy-five copper-plates, engraved by Mr. Picart, Edward Owen, London, 1755.

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[21]  Luigi Vagnetti, ‘De naturali et artificiali perspectiva’: bibliografia ragionata delle fonti teoriche e delle ricerche di storia della prospettiva. Contributo alla formazione della conoscenza di un’idea razionale, nei suoi sviluppi da Euclide a Gaspard Monge, Edizione della Cattedra di composizione architettonica IA di Firenze e della L.E.F., 1979.

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[26]  Graziella Federici Vescovini, De la métaphysique de la lumière à la physique de la lumière dans la perspective des XIIIe et XIVe siècles, Revue d’histoire des sciences 60, no. 1 (2007), pp. 101-118.

[27]  R. Wittkower and B. A. R. Carter, The Perspective of Piero della Francesca’s ‘Flagellation’, Journal of the Warburg and Courtauld Institutes 16, no. 3/4 (1953), pp. 292-302.